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And so we have reached the last of the 7 Habits of the Highly Effective Quilter...I thought long and hard about this one and as luck would have it, I had a light bulb moment when I arrived home from the Quilt Roadies adventure and unloaded the trailer. Not only bringing in all my sewing projects that were stitched on the road, but also the little treasures I picked up along the way. And so, Habit #7...regular inventory! You know...just like the shops do. A yearly inventory so they know what they have sold and what they have left on the shelf. A sewing room inventory allows you to see what you have left to do and to acknowledge what you finished. I believe by opening all the drawers, looking in all the bins and boxes, and taking a full inventory of what you really have tucked away, you will be reminded of those special projects you once had to have, LOL. I'll admit I did have a momentary anxiety attack...but, since I take an inventory on a regular basis, I have weeded out the "what was I thinking" projects and truly like everything I have in stock, LOL.


With this said, I know that life can get hectic and sometimes we don't know which way we are headed! Sometimes we have the best of intentions of starting or finishing a project and then life distracts us and we forget...that is why a regularly scheduled inventory...maybe once a quarter, which would be 4 times a year, will help stimulate those stitching juices.



I can hear the revolt now, but remember who is in charge of the sewing room!!! No one is the boss of you and your projects and throw aside the judgment and take a full assessment of what is lurking in that closet! You are strong...you are powerful, and no pile of fabric is going to make you weep!

...And just so you know, I have been taking my own advice and spent a couple of hours taking inventory before I put away the new projects. And, while doing so, I remembered a project that I was going to make for my oldest son's friend who is Canadian...now, where did that project go??? With an inventory I was able to find it and finished it!! I feel so satisfied and I think she is going to like it!



I hope you have enjoyed the 7 Habits of the Highly Effective Quilter...I know it has helped me light a nice quilter's fire under my needle! And now it is heated up and ready to go! Have a great week and we'll see what next week will bring!

Click here for Anna's YouTube Channel.


 

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Only 5 left to reach our goal of 300 IMQE Partners!
 
To reach our goal of 300 IMQE Partners, we only need 5 more International partners! We have 7 US quilters waiting for International partners. Won’t you join us and help IMQE exceed our goal?
 
Internationally, the United Kingdom still leads with 56 Quilters, followed closely by Germany with 54 Quilters. Italy is the next closest country with 48 Quilters participating.
 
Some our International Quilters are in very interesting places around the world: Zimbabwe, Argentina, Finland and most recently Malaysia.
 
In the United States, California leads with 30 Quilters and Texas is close behind with 28. Illinois is the next closest state with 15 Quilters participating in IMQE. We would still love to hear from Hawaii and West Virginia. Alaska now has 3 Quilters participating in the exchange.
 
We also have 5 partners using translation software to communicate as Quilting is their common language!
 
Join the International Miniature Quilt Exchange and help us celebrate reaching our goal. Let’s break records with this exchange.
 
Quilters have until March 2018 to complete their miniature quilts. Get all the details here.
1 International Quilter + 1 United States Quilter + A Passion for Quilting = A Priceless Experience
 

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Send your little one off to celebrate Halloween in style with these easy-to-sew, fun-to-make Trick-or-Treat bags from WeAllSew.com. Spook them up with seasonal embroidery and use glow-in-the-dark embroidery thread for maximum effect. Don't have an embroidery machine? Just use a pre-printed panel cut to the right size. Need something a bit smaller for a party favor or gift bag? Then stitch up a cute mini version!

Click here to download measurements.

 

 

 

 

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Right outside of Comic Con International San Diego 2017 this year was an exhibition of the costumes from the Star Trek: Discovery series. We were drawn to the use of pattern repetition as well as the use of quilting to enhance a costume. We were also amazed at how leather was worked in the shoulder of one of the coats.

If you want to know about using pattern and repetition in quilting, read Design to Quilt: Principles of Design-Pattern/Repetition (Week 35).

If you want to know more about quilting with leather, watch Show 1909: Taking Leather to a Whole New Level, featuring Cathy Wiggins.

Video: Mary Kay Davis

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The conflict in the IOS of the iPad is due to some interference with the closed captioning.

We have temporarily turned off the Closed Captioning so that the tablets should now work. (Let us know if you still can't get the iPads to work. Our test group says it is working now.)

We apologize to our Closed Captioners and want you to know we are working with Vimeo to clear up the conflict.

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The colors in Audra Rasnake's quilt, Consider the Lilies, 95" x 95", are very different and very beautiful. Then we noticed there was no white...maybe a polkadot?

This quilt was in a very strong category "Hand Quilted Quilts,"  (Spring Paducah 2017) where a number of quilts deserved awards, but only three can win. (We were right that it deserved an award. The quilt won 2nd Place Hand Quilted at AQS Grand Rapids 2017). Watch for Wednesday's newsletter for another that was at an award winning level. Audra's quilt was not only hand quilted, but hand embroidered and hand appliqued and we noticed some crystals. Its design source was the Lily Pattern in Susan Brubaker Knapp's book by C&T, Appliqué Petal Party: A Bouquet of 16 Blocks and Flowering Border.

 

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We love how there's a fussy cut print in the center of this block. What do you think it is called? Play the game to find out.

 
 
 

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It is the nature of pattern to delight the eye, and since the dawn of time, we as humans have been surrounded by pattern, whether natural or man-made. Woven baskets, decorative pottery, architecture, sumptuous textiles, and intricate wood carvings are all means in which artists have included pattern to captivate the viewer's attention.

Take this beautiful building, Ecology of Colour, set in Central Park, Dartford, Kent, UK. If you were strolling through the park, would you stop to admire this building? Would you try to count the number of blocks in the overall design? Would you take a few photos as a memento? Well, the building's design and pattern was successful, it caught and captured your attention. 


As a quilt designer, you have the opportunity to capture the viewers attention using pattern to its full advantage. Pattern is the combining of elements or motif in an arranged and repeated manner.


Types of pattern include:
Spheres
Meandering
Lattice
Spirals
Waves
Mosaic
Geometric Shapes
 

 

 

 

 

 

 

Let's look at some quilts featuring pattern:

 

 

 

 

 

 

 

 

Alaskan quilt artist Maria Shell shares how she uses basic shapes to create visually interesting quits featuring pattern. Watch Ricky's interview with Maria here.

Pattern
by Maria Shell

 

What is pattern? And how can we use this design element to create dynamic patchwork? Pattern, also called repetition, is repeating visual elements such as line, color, shape, texture, and value to unify the total effect of a work of art, a quilt, or a composition. It is one of the many “glues” I use to hold my quilts together.


Pattern & Line

The easiest way to create pattern is with line. Every time you make a strip set for a traditional quilt you are manipulating line. Good Vibrations is a classic example of improvision-ally cut strip sets cut into blocks that are then arranged in a pleasing manner.

 

 

 

 

 

 

 

 


You can even introduce patterning into your lines if you like. In the quilt Birch Stand, I used bits and pieces within a monochromatic color scheme to create lines that I then pieced onto a neutral background. The pieced lines float on the neutral surface producing a simple but interesting exploration of line and pattern.

 

 

 

 

 

 

 

 

 

 

Once you get the hang of that, you can then manipulate the lines (pieced or not) into larger shapes as I have done here in Aztecian. Aztecian features a controled palette of hi-contrast colors pieced into repeating lines. The lines change directions creating movement and interest in the quilt.

 

 

 

 

 

 

 

 

 

Pattern & Color
Frequently the first step for me in designing a new quilt is building a palette. I will select 8 -12 colors that I find dynamic, beautiful, and bold. By bold, I mean that the colors never truly blend, but instead they each compete equally for attention—they hold their own.  In Do a Little Dance, I have created five palettes that have been built into curvy lines. Each palette is used in the same way to create pattern and repetition, but they also look wildly different when placed next to each other. To create dynamic quilt palettes where each color holds its own—use a value finder and the grey scale function on your camera to double check against what your naked eye sees. If everything blends together in grey scale that means you do not have enough variation in your colors and values. Change them up! Dare yourself to create combinations that are fresh and unpredictable. That is where the action is at.

 

 

 

 

 



 


Another way to create pattern with color is to place that color in the same place in the quilt over and over again so that the colorholds its own within the composition and becomes part of the lines and shapes that are building the quilt. I have used bold colors on white to create pattern with color in the quilt Day.

 








 

Pattern & Shape

Introducing pattern into shape can have dramatic results. By this I mean, you can take a shape and fill it with pattern. All traditional quilt blocks are built out of shapes. The Crossed Square quilt block is a perfect example. It is composed of linear shapes arranged in a pattern.

 

 

 

But if you take those shapes and add pattern to them, you will find that you are onto something. Boulevard is composed of dozens of different linear shapes to create a single elongated Crossed Square quilt block.

 

 

 

 

 

 

Pattern & Texture

Texture is in many ways pattern getting small enough to create the illusion of a dimensional surface. I created three color palettes and selected a particular shape or line to create the textural elements of Root Glacier. The sun is composed of flying geese blocks in a pleasing sun palette. The glacier is built from curvy lines moving in different directions, and the sky is that same curvy line moving horizontally across the top of the quilt. The textures created by the piecework serve the quilt and make it more interesting.

 

 

 

 

 


 

 

You can also create an over all texture to create visual interest. To Agnes Martin, with Color repeats the same shape (which is that simple Crossed Square block I was talking about earlier) in the form of uber-tiny quilt blocks. It is texture as pattern and art.

 

 

 

 

 

 

 

 

 

 

Pattern & Value

Value is the darkness or lightness of a color or hue. I frequently use high contrasting values to create visual interest in my quilts. Treasure Map uses all of the colors of the color wheel in varying values to create high contrast visual interest.

 

 

 

 

 

 

 

 

 

I hope these pointers about how I use pattern will help you create dynamic quilts. I am pleased to announce that my new book, Improv Patchwork—Dynamic Quilts Made with Line & Shape, pulished by C&T publishing is available for pre-order here. To learn more about my process and quilting adventures check out my blog.

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Andrea is sharing with TQS images from her exhibit at the Benton County Museum in Philomath, Oregon. She writes:
 
"I try to express the essence of a flower with fabric. The curve of a petal, the vibrancy of color and the diversity of flora to me is sexy...beautiful. For me, the creative process is a journey as essential as breathing. An expression of self."
 
Created from 2007-2017, this collection represents Andrea's journey to find her artistic voice.
 
The exhibit runs through October 14, 2017.
 

Star Members can watch Andrea and learn about her work in Show 1706: Textural Backgrounds, Appliqué on Silk & Straight-Line Quilting.

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Bethanne Nemesh talks about the process for determining the winner of a Masterpiece Quilt Award. Bethanne's Quilt, October Sky, was the recipient of the award in 2015.
 
 
The NQA established the Masterpiece Quilt Program to award formal recognition to Masterpiece quilts. This important program is continuing under the leadership of the NACQJ. A Masterpiece Quilt is defined as a work which reflects a consummate level of skill in design, workmanship, and quilting.
 
 

Learn more about Bethanne and her work in Show 2107: Extraordinary Binding Techniques & Amazing Fabric Collage.

(Note: This video was shot on a "hot" set during the taping of The Quilt Show. You will notice background noise and activity.)