Michael James was our TQS Quilting Legend in 2013. Michael serves as Chair and Ardis James Professor of Textiles, Merchandising, and Fashion Design at the University of Nebraska-Lincoln (which is also home to the International Quilt Study Center and Museum). In this show (1313) members are treated to insights on the collections from Michael and Carolyn Ducey, Curator of Collections. Michael reveals how he transitioned from painter to textile artist, and the evolution of his work in the process. In addition, he shares a technique for enhancing a wholecloth quilt, and welcomes us to his home for a tour of his studio, a peek at his fabric collection, and a preview of the newest piece on his design wall.
Now his latest work is on display at the museum.
"includes what may be this artist’s most cohesive and introspective work to date. Somber, dark, and mysterious, they play bold strokes off ethereal sky spaces, and stabbed marks against lyrical, though interrupted, linear networks. Leaves, branches, grasses and water remind us of the inexorable cycling of the seasons, death and rot leading to new life leading to death yet again. While the broad vistas of the Plains can seem hopeful, they can be lonely and can seem oppressive too, especially when the sky lowers and bears down ominously. The presence of the landscape can be as discomfiting as comforting. Its expanse can as easily fill one with despair as with optimism.
James’s newest quilts have grown out of a very personal experience of loss and mourning, yet they aspire to universal resonance. His sorrow and pain are familiar to each of us, and have no less impact for that ubiquity. Our human destiny is to live, to love, to lose, to mourn. These quilts embody one artist’s reflections on that destiny."
(Photo: Elegy (flatland) 2015 from the International Quilt Study Center & Museum)
Ambiguity and Enigma: Recent Quilts by Michael James