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Have you come to see what our TQS members designed for their ultimate quilt studio? Well they outdid themselves this time and it would be impossible to list all their advice.  We'll give you a few tidbits here, but then you should visit here to see all kinds wonderful ideas that will make your sewing area a place to get Carol Taylor's Studioyour creative juices flowing.  

Here's just the tip of iceberg in sewing area hints...

A proper height cutting table.

A comfortable chair!!!

I have put wheels on all the furniture in my 20 x 20 space, giving me the flexibility to change configurations as necessary to suit the present purpose.

I'd definitely have to say a portable design wall. 

Remember to consider vertical space in your area. If you have a wall use it to your best advantage. Old fashioned peg-board can be painted and then used to hang things from acrylic rulers, thread racks, etc, to packaged kits.

non-slip and easy to clean flooring, and large windows with semi-transparent blinds.

...One of the best cabinets he added was a 9" wide cabinet for cookie sheets. (She uses it to store rulers.)

DH bought insulation board and I covered it with fleece. It's an inch thick he trimmed it down to 4X5 so it would fit on the wall next to my cabinet.

My Hubby made me a pressing/cutting/storage station out of 2 sideboards. We purchased them ready made from Lowe's.

I have an old 40's ironing board that is pretty solid (not tippy). My husband made a nice topper for it that is 22" wide x 60" long. I covered it with two layers of warm and natural and a nice heavy cotton fabric.

Good lighting is a must. I used track lighting.

Photo: Carol Taylor's Quilt Studio

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In January, Ruth went on a road trip to meet our Bernina 820 winner, Joan Piercy.  They met at the quilt shop, Sew Original, in Boone, North Carolina and were greeted by Melinda Rose, the store owner. They were even interviewed by News Anchor Christina Cindrich who was there for Mountain Television Network.  Let's take a peek and join in on the fun and excitement.

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Margo gives us a GREAT lesson on how to achieve mark-less quilting designs right on her own blog! To take a lesson from Margo to get award winning results go here!

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Dream Rocket PanelThe Dream Rocket program wants to involve students, teachers, schools, individuals, groups and organizations in a project to create over 8,000 "Dream Theme or "Visionary" panels.  These will be sewn together to completely wrap a 363-foot vertical Saturn V Rocket during May and June of 2010 (for 60 days).  Their aim is to connect art and education through  global collaborate initiative. They want to inspire everyone to dream and to recognize their power to pursue their dreams. Themes include:  Energy, Space, Peace, Science, Recycling, etc.

Dream Rocket panels will also be displayed at various locations prior to being wrapped on the Saturn V Rocket.

Recent changes to the program allow individuals to purchase a 1 foot x 1 foot panel for only $25. This fee guarantees a spot on the rocket. Reservations for 2 foot x 2 foot and 4 foot x 4 foot panels are also available.

The other significant change to the program includes a change in the submission date.  The wrapping has been rescheduled to now coincide with the 50th anniversary of JFK’s lofty challenge of “landing a man on the moon and returning him safely to earth.

For more information on the program, click here.  

Dream Rocket Panel "Launch Pad to Success" by Mary Kay Davis, Sunnyvale, CA.

 

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From January 22, 2010 through February 28, 2010 a small quilt exhibit debuted in the Sisters Art Works building in Sisters, Oregon. Entitled Elements in Cloth it featured the work of 12 Central Oregon quilt artists including: Donna Rice, Donna Cherry, Betty Gientke, Ruth Ingham, Charlene Kenny, Mary Ann Lisk, Sue McMahnon, Joanne Myers, Tonye Phillips, Robin Ryan, Mary Stiewig, and Jean Wells.  We hope you enjoy this Smile Box featuring some of those artists and their wonderful contemporary works of art.

Click to play this Smilebox slideshow

 

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Bob the Thread Guy has created an informative video on how to work with Metallic Threads.  Yes, those threads that we all keep in our collection and hope someday will magically perform without breaking in our sewing machine.  Just push the arrow and watch Bob as he gives you tips on how to make your metallic thread dreams come true.  

Want to win some thread?  Bob is giving one lucky TQS member a $50 Gift Certificate to Superior Threads. 

To enter, go to metallic@thequiltshow.com and type in "Superior" in the message.  Contest ends Monday, March 8, 2010 at midnight PST.  So hurry! 

Metallic Thread

For more  information on Superior Threads just click here.

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TQS Member Karlyn Bue Lohrenz, KarlynBue, is letting us take a look at her life and her quilts.   Karlyn also lets us sneek a peek at her design process for one of her award-winning quilts, Calamari Time.

Karlyn was brought up on a sheep/cattle ranch near the Beartooth Mountains in Southwestern Montana and now lives in Billings. She attended Montana State University and spent most of her working years in the medical field. She began quilting in 1999.  For the rest of Karlyn's story, please enjoy the video.

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You had many very good questions about spray basting after viewing the first Free Motion Lesson.  Patsy decided to answer those questions in her own easy to understand way. Go to the Classroom for Beg I, II, & III (Star Members only.  See Membership Special Below).  Intermediate Free Motion lessons are coming March 12 & March 19.

Learn this fun skill and make your quilts look amazing!  We have extended the membership special.

Join for less than $20 get the Free Motion Lessons and 6 months of new shows with Alex & Ricky.

 2566_check_mark_green.jpg    20% Off 6 Month Membership Special

 

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Sampler quilt blocks

 

You've finally talked your friend into making their first quilt. You want them to be successful; so, what block would you suggest they make? 

 A log cabin, an Ohio star, a four-patch?  Do you have a particular pattern you think they should use?  

Would you show them how to draft a block or send them straight to Alex's Start Quilting?

Submit a comment and let TQS know how you'd get that newbie up on their feet and off and running into the world of quilting.

 

 

 

 

Image from http://home2.fvcc.edu/~cgreig/final/history.html


 

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Old Meets New with Fabric, Color, and Paint
by Maureen Ose

This is the first article in a series entitled “Perspectives on Quilts and Quiltmaking” from the International Quilt Study Center & Museum. It takes “the long view” of quilts and quiltmaking expression. Exploring quiltmaking through time and geography connects quiltmakers of the past with today’s creative artists.  Each segment will include quilts old and new, investigating how the former inform or inspire the latter.

“If you know whence you came, there are absolutely no limitations to where you can go.”  
                       ---James Arthur Baldwin

Bee seeks blossom; bee makes honey. Just so, we discover what nourishes us and fuels our own “production.” The collections of the International Quilt Study Center called to artist Mary Anne Jordan. The work of known and unknown makers from diverse geographies and times fueled her creativity.The  result? Freshly conceived studio quilts using fabric, color, and pattern inspired by a previous generation.

Mary Anne Jordan, a professor in the Department of Design at the University of Kansas, was the recipient of the 2005-2006 International Quilt Study Center (IQSC) Visiting Scholar Fellowship. Her work as a contemporary studio quilter shows nationally and internationally in Japan, Poland, South America, and Canada, and draws accolades and awards from such prestigious organizations as Quilt National and Fiber Arts International.

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1997_007_0254 Photo courtesy of IQSC                                          2003_003_0330 Photo courtesy of IQSC

During her study at the IQSC, Mary Anne examined more than 100 quilts to expand her knowledge of American quilts and techniques. She was particularly intrigued by the overlap in the genres of Amish and African American quilts which, in her words, have “uncanny similarities yet are really quite different, as well.” In response to this study, Jordan created a series of bold new designs on fabric. The resulting exhibition, "Snail Trails, Broken Dishes, and a Streak of Lightning," included new work from Jordan, along with selections of the IQSC quilts examined during her research.


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                      Mary Anne with IQSC curator, Marin Hanson. Photo courtesy of IQSC

Beginning with yards and yards of white fabric, Mary Anne dyes, prints, paints, and stitches to reach the final combinations that "magnify everyday life as a metaphor of the structure of our culture, our lives, and our bodies." She draws on a lifetime of encounters with art, primarily in museums. Starting as a child in Toledo, OH, and continuing throughout her education at Cranbrook Academy of Art and the University of Michigan, and as a professor at the University of Kansas, she has remained finely attuned to forms and colors as manipulated by the human hand. Her creations contain many common symbols of daily life.

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"Crossing Flag, 2006_052_0002

Crosses have Consider “Crossing Flag”. Crosses have universal meanings: religious significance, assistance and help (the Red Cross, for example), or warnings of traffic intersections. Jordan looked at many cross iterations found in quilts from the IQSC collections of African American and Amish quilts. Then she put her own “human mark” on fabric to express a layered story, perhaps indicating that although caution is advised, the intersection of cultures and individuals is not only inevitable, but also necessary.

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"Dot Flag", 2006_052_0001

Another Jordan work that became part of the IQSC collections is “Dot Flag”, currently shown in the museum’s exhibition “Perspectives: Art, Craft, Design, and the Studio Quilt” curated by Michael James and Sandra Sider.  The curators shared this observation of that quilt: “Dot Flag is graphic and somber in its grays and blacks, setting color aside to focus on the singular power of light and dark contrasts. Stripes, bars, and dots have always had the ability to arrest attention, and these do.”

Mary Anne’s technique includes application of thickened dyes, controlled spraying and color streaking, and tie-dyeing, sometimes piecing the quilts, other times making a wholecloth quilt. She completes the machine quilting herself, keeping the quilting patterns simple and straightforward, embedding the stitches in subtle circles or grids.

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                 Amish antique quilt hangs near new quilt by Mary Anne Jordan.  Photo courtesy of IQSC

Her exhibition combined old and new, paying homage to inspiration and taking the viewer with her to a new interpretation.  Mary Ann Jordan is an artist to watch (see more of her work here).  She joins the centuries-long tradition of quiltmaking, using our medium to express herself and connect with the world.  You can learn more about her techniques and inspiration by viewing a podcast here.

Maureen Ose
Communications Coordinator
International Quilt Study Center & Museum
www.quiltstudy.org



49_2006_052_0002.jpg
"Crossing Flag", 2006_052_0002

Consider “Crossing Flag”. Crosses have universal meanings: religious significance, assistance and help (the Red Cross, for example), or warnings of traffic intersections. Jordan looked at many cross iterations found in quilts from the IQSC collections of African American and Amish quilts. Then she put her own “human mark” on fabric to express a layered story, perhaps indicating that although caution is advised, the intersection of cultures and individuals is not only inevitable, but also necessary.

49_2006_052_0001.jpg
"Dot Flag", 2006_052_0001

Another Jordan work that became part of the IQSC collections is “Dot Flag”, currently shown in the museum’s exhibition “Perspectives: Art, Craft, Design, and the Studio Quilt” curated by Michael James and Sandra Sider.  The curators shared this observation of that quilt: “Dot Flag is graphic and somber in its grays and blacks, setting color aside to focus on the singular power of light and dark contrasts. Stripes, bars, and dots have always had the ability to arrest attention, and these do.”

Mary Anne’s technique includes application of thickened dyes, controlled spraying and color streaking, and tie-dyeing, sometimes piecing the quilts, other times making a wholecloth quilt. She completes the machine quilting herself, keeping the quilting patterns simple and straightforward, embedding the stitches in subtle circles or grids.

               49_img_1581.jpg
                    Amish antique quilt hangs near new inspired quilt by Mary Ann Jordan.  Photo courtesy of IQSC

Her exhibition combined old and new, paying homage to inspiration and taking the viewer with her to a new interpretation.  Mary Ann Jordan is an artist to watch  (See more of her work here).  She joins the centuries-long tradition of quiltmaking, using our medium to express herself and connect with the world.  You can learn more about her techniques and inspiration by viewing a podcast here. (Waiting to hear from IQSC if this podcast is working)

               49_img_1583.jpg
               Antique and contemporary quilts hang side by side.  Photo courtesy of IQSC

To learn more about the collection and other textiles visit the International Quilt Study Center and Museum here.

Maureen Ose
Communications Coordinator
International Quilt Study Center and Museum
www.quiltstudy.org