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Congratulations to Marilyn Badger of St. George, UT and her quilt, Midnight in Morocco (77" x 77"), winner of the 2020 Best of Show Award at the Pacific International Quilt Festival (PIQF).

From MANCUSO:

"An original Claudia Clark Myers design, this quilt was such fun to make because of all the different techniques involved. Embellishing was even more fun with hundreds of little crocheted and beaded circles added, as well as beads, crystals and hand embroidery. The dimensional edge was the finishing touch."

  • Machine Pieced
  • Machine Appliquéd
  • Longarm Machine Quilted
  • Original Design: Yes

(Photos: MANCUSO Show Management)

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Melissa Mortenson of the Polka Dot Chair and WeAllSew.com has created this adorable cat pillow for Halloween, but we think you could make it for any cat all the year round. In the tutorial, Melissa shows you how to do the wool appliqué and how to create custom piping to make the cat your own.

Click here to download the cat appliqué pdf.

Click here to go to tutorial.

 

 

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Which kind of quilter are you? Vote below.

Previously we asked how you stored your stash and what's on your design wall. This week we are actually looking at 3 kinds of quilters. This week we want to know how you quilt your quilts. Are you a hand quilter? A Machine Quilter? OR a Pay-by-Check quilter?

(Picture by Lauren Vlcek)

 

Not Seeing where to vote? Click on the blue link below.

 

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Ricky's quilt, Songe d'Automne, won the Machine Quilting Excellence award at the 2000 International Quilt Festival in Houston, TX. The fabrics are all original hand-dyed fabrics. The quilt measures 84" x 84", is a mix of piecing and appliqué, and was quilted on a domestic machine. It is another masterwork from a hand-dyed quilting expert.

See the quilt in closer detail by looking at it in the Zoom Gallery.

Learn from Ricky by watching Show 2708.

Original Photo: Ricky Tims

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TQS continues its feature of quilts exhibited in 2020 at QuiltCon as part of The Quilts of Victoria Findlay Wolfe exhibit. The exhibit is described as:

"Purposeful play is a deliberate free-form practice with one goal in mind: to ultimately improve the outcome of the finished product while capturing a thought, emotion, or technique. Always fascinated by color, pattern, and quilters who came before us, Victoria Findlay Wolfe found her life's true joy in exploring her grandmother's quiltmaking as a starting point.

Her diverse and exciting body of work stirs quilters worldwide to dig deeper, take risks, and experiment with fabric. This retrospective exhibit features a selection of Findlay Wolfe's inspiring quilts and the stories behind them."

Please enjoy Victoria's fourth quilt from the exhibition.

Title of Quilt: Making Me Crazy

Quilter's Name: Victoria Findlay Wolfe

Quilted By: Shelly Pagliai

Year Made: 2011

Quilt Size: 59" x 82"

Original Photos by Mary Kay Davis

 

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Inspiration strikes at the strangest times. Based on a series of drawings that she made in the middle of the night in 1999, Caryl Bryer Fallert-Gentry's (Show 1308Midnight Fantasy #10 is just that, a fantasy. Featuring swirling shapes that take your eye all over the place, hand-dyed gradations, and six different colored threads, it is truly a fantasia of color and more.

Midnight Fantasy #10 by Caryl Bryer Fallert-Gentry of Port Townsend, Washington was featured in the A Celebration of Color category at Houston 2018.

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Okay...this may not satisfy your curiosity about the BOM 2021. It's bold...It's modern, but not something a traditional quilter wouldn't do...It's full of fun ideas...It's going to make you want to personlize some parts of it..Get excited! The 2021 Block Of the Month kits have shown up at The Quilt Show warehouse and we wanted you all to get a sneak peak. While it's not quite time to show you what the quilt itself will look like, we did want to get you ready for a fun year (we could all use that).  Barbara Black will be taking you through the making of this quilt on LIVEs just like Alex. 

Photo: John Anderson

 

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Quilt Artist, Ellie Kreneck, 2015.  Photo courtesy Ellie Kreneck.

Art Quilts Enter the Collection of the Museum of Texas Tech University
By Marian Ann J. Montgomery, Ph.D.,
Curator of Clothing and Textiles, the Museum of Texas Tech University

Generous donations by Ellie Kreneck of her West Texas art quilts as well as the recent purchase of a quilted Haori coat by Yvonne Porcella form the base of what is hoped will be a growing collection of Art Quilts in the Museum’s Collection. While it is difficult to collect pieces that haven’t yet stood the test of time, it is important to acquire these pieces while artists are still alive to provide information about their creations.

Yvonne Porcella taught around the country but had a particular impact while teaching in 2007 at the Museum of Texas Tech University as part of the programing centered around a traveling exhibit from the Rocky Mountain Quilt Museum. After accessing the talent in the class, Yvonne encouraged the formation of a West Texas chapter of the Studio Art Quilters Association (SAQA) and in particular the work of artist Ellie Kreneck, with whom she had an ongoing dialogue.


Mary Faces Morning Housework by Ellie Kreneck, Gift of Ellie Kreneck, TTU-H2015-083. 
This piece surely describes how many quilters feel facing housework as opposed to getting to their sewing machines.
Photo courtesy Museum of Texas Tech University.

Ellie Kreneck’s quilts have since been featured in SAQA exhibits at the Houston International Quilt Festival and also SAQA traveling exhibits. With her strong ties to Lubbock and Texas Tech University, Ellie’s donation of two of two works was especially desired for the Museum’s collection. Her quilts reflect a love of the West Texas landscape in their coloring, but also her wit and strong Catholic faith, something she shared with Yvonne. 


Glimpses of China with St. Francis by Ellie Kreneck, Gift of Ellie Kreneck, TTU-H2016-060.
Recently returned from a study trip to China, the constellation features a dragon-like figure rising as a phoenix.
The red pick-up truck and jackrabbit make regular appearances in Ellie Kreneck’s work.
She thinks of the jackrabbit as her alter ego. Photo courtesy Museum of Texas Tech University.

The Caprock Art Quilters, which Ellie Kreneck was central to forming at Yvonne’s encouragement, celebrated their 10th anniversary  in 2007 with an exhibit at the Buddy Holly Center in Lubbock, Texas that same year. The strength of the Caprock Art Quilters is also reflected in the pieces that compete at the Dallas Quilt Show and are juried into Houston.

To honor their early mentor, individuals from the group came together to provide the funds to acquire a piece by Yvonne Porcella.The Tweedle Dum and Tweedle Dee quilted haori was inspired by a circus quilt book given to her by Karey Bresenhan as a rememberance. Yvonne had been scheduled to teach at a local quilt shop, but instead was confinded to her hotel room for three days due to a hurricane, until the roads were cleared.


Tweedle Dum and Tweedle Dee quilted haori by Yvonne Porcella, 1992.
Purchase give of individuals of the Caprock Art Quilters, TTU-H2016-084-001.
Photo courtesy of the Museum of Texas Tech University.

Not only is the Museum pleased to have such strong pieces as the foundation for building an art quilt collection to complement the antique quilts in the collection, but also the stories of how this movement came to West Texas. As is so often the case, the efforts of one person ripple and can be seen to this day.

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Alex shows how to make the Cherry Basket Quilt Block. It is the fun BIG quilt block, but it has some danger zones. There are a lot of half sqaure triangles and a lot of exposed bias. The size of the basket also changes the size of the basket handle. Alex has some tips and advice on making this Cherry Basket Quilt Block work for you.

Alex is LIVE on Friday, October 16, 2020 at 10am PDT, 1pm EDT, and 6pm London time.

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This antique Sampler with Rings quilt from Ricky Tims' personal collection was the main inspiration for the Granny's 1930s Sampler quilt, otherwise known as the Lizzy Albright quilt. The quilt was purchased from antique quilt collector Julie Silber, and the many shapes and designs in the quilt influenced the depression era fabrics that Ricky helped to make for Benartex.

Learn from Ricky by watching Show 2708.

 

Original Photos: Mary Kay Davis