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Update 11/29/2017: Watch Gail Stepanek and Jan Hutchison receive their Masterpiece award. Ricky also talks to them about how they went about creating their masterpiece.

 


With the Houston Quilt Festival just around the corner, many quilters will be visiting the show and, of course, looking at beautiful quilts. We thought this would be the perfect time to take a short pause from our year-long Design to Quilt program to share with you the fact that this is the first year the Masterpiece Award will be presented as a dual award to Gail Stepanek and Jan Hutchison. Gail's exceptional piecing along with Jan's extraordinary machine quilting skills elevate this stunning quilt, Cardinal Points, to new heights.

 


Cardinal Points is the sixth quilt they have collaborated on together. The design for the quilt, which took a year to complete, was based on an antique quilt. Gail loved the original design, but decided to scale the blocks down to a much smaller size. The quilt top took an entire year to complete. The top was then handed off to Jan for quilting, which took three months due to the fact that each circle was stitched in a different design.

Cardinal Points has won several prizes, including First Place Large Quilts, Pieced AQS QuiltWeek Paducah Fall 2017, Third Place Traditional at Houston in 2016, and the Marie White Masterpiece Award at Road to California 2017. Let's look at some details of this masterpiece quilt.

   
(Images from The Secret Life of Mrs. Meatloaf & Telling Stories Through the Needle's Eye)

What is the Masterpiece Award, and what do the judges look for when selecting a recipient? NQA Certified Quilt Judge, Beverly Fine, shares some insight into the process. 


How does a NACQJ quilt judge designate a Masterpiece Quilt?
by Beverly Fine
NQA Certified Quilt Judge

In 1980, certified quilt judges created a special honor for quilts that surpass the highest expectations for development of design and exemplary workmanship.  As these judges travel the country while judging large and small quilt shows, they are on the lookout for quilts that could be evaluated as possible Masterpieces.  There are only a few absolute requirements for a quilt to be nominated for an evaluation: that the quilt be at least 25 sq. ft. in size, that the quilt must have been completed within the previous five years, and that the quiltmaker(s) be living. 

 

In considering a nomination, a judge is not looking for perfection, but they are looking for a quilt that will stand the test of time.  Colors can be subtly shaded, as in Diane Guadynski’s “Through a Glass Darkly”, or high chroma, as in the case of  Pat Holly’s “Saffron Splendor”.

 

 

 

 

 

 

 

 

 

 


Designs can be elegant and classically traditional, such as Gail Stepanek and Jan Hutchinson’s “Cardinal Points”, or charming and whimsical such as Mary Buvia’s “The Loading Dock”.

 

Some characteristics are shared among the winners, such as intricate details, excellent contrast, a sense of proportion and harmony, and the freshness and creativity born of an experienced quiltmaker.


Shirley Kelley’s story of a series of quilts leading up to “Flowers of the Crown” bears this out. These are the quilts that cause a gasp upon first glance and demand a much longer viewing to take in all that is shown.

 

 

 

 

 



In all, 33 quilts have been designated Masterpieces.  These quiltmakers share the knowledge that they have achieved the very highest distinction among award winners.  Collectively, their names are a veritable “Who’s Who” in the quilting community.

A quiltmaker may also nominate their own quilt for evaluation as a Masterpiece for a small fee.  When a nomination is accepted, a team of five certified judges then evaluates the quilt.  The evaluation is highly structured and usually lasts almost two hours to complete.  A full evaluation is then written and sent to the quiltmaker, whether the quilt achieves a Masterpiece designation or not.  Quiltmakers appreciate the detailed and positive nature of the feedback.  Up to three quilts per year are accepted for evaluation.

For more information abot the National Association of Certified Quilt Judges www.NACQJ.com.

Next week, Beverly Fine will share what it takes to become a certified quilt judge.

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Jin Dong of China won 3rd Place Art-Pictorial at Houston 2016. Her quilt, Spring of the Watery Place, honors the Chinese Ink painting skills without using inks. Her quilt also tells the tale of the Spring scenery of a watery place in southern China that is being lost to urban development. The quilt is very large. It didn't have the measurements, but the quilt is over 6' wide.

We loved the watercolor feel and the Chinese style quilting.

 

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Marilyn's quilt, Supernova, won 1st Place Traditional at PIQF this year and it's not hard to see why. Marilyn paper-pieced, quilted, beaded, embroidered, and painted this stunning quilt.

 
 
 
 
 
 
 
 
(Photos: Mary Kay Davis)
 

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Artist, author, and teacher, Deborah Boschert, explores the possibilities of surface design with commercial fabrics. In doing so, she creates fabulous collage quilts. Here she shares some of them with TQS.

Watch Deborah at work here at TQS in Show 2108: Surface Design Simplified & Vintage Quilt Bed Turning.

Click to play this Smilebox slideshow

 

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Deborah says that this is her "year of ladders," and this quilt is no exception. You will find it in the Art Miniature category of the judged shows.

You can find Deborah here at TQS in Show 2108: Surface Design Simplified & Vintage Quilt Bed Turning.

She will also be teaching at the Houston Quilt Festival.

 

Original Photo: Mary Kay Davis

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Shelly Pagliai ("Polly-eye") brings her country roots and wonderful creativity to reimagining her sampler quilt Hazel's Diary, 95" x 95". The on-point squares, the scrappy fabrics on the blocks, the scrappy fabrics in the border, and the wonderful quilting make this quilt a stand-out. We saw it in Spring Paducah 2017 and had to stop and smile.

 

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Follow along with Jen from Shabby Fabrics in this tutorial to learn how to make these fun, personalized, stuffed pumpkins that will give your home the perfect touch of Fall!

Click here for pattern download.

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Deborah writes about her work, "Most of my art quilts are created by collaging fabric and stitching into layers of design. I incorporate all kinds of fabrics into my work from worn-out jeans to vintage linens to original fabrics created with paint, pens, stencils and stamps. Incorporating improvisational hand embroidery adds more interest and creates tiny details that enhance the piece as a whole."

Watch Deborah at work in Show 2108: Surface Design Simplified & Vintage Quilt Bed Turning.

Original Photo: Mary Kay Davis

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Award-winning quilter Pat Holly shares this fantastic project, a stitch sampler book. It makes it simple to see all the decorative stitches your sewing machine can make at a glance!
 
Pat writes,
"The first project I do after I acquire a new machine is to create a reference book of all the different stitches the machine makes. I have found this to be quite a time saver and helpful for my sewing projects. It will show you how there is a difference in the little picture or icon of a stitch and what it actually looks like when stitched out. I use these books all the time!"
 
Star Members can watch Pat Holly in Show 608: Mastering Machine Appliqué.
 
 
 


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Update:
The first-ever Charleston QuiltWeek® show has opened and and a big Congratulations goes to Sherry Reynolds once again. She won the Best of Show award with her beautiful quilt, Eternal Beauty.
 
Update:
Winner Best of Show - AQS Daytona Beach 2019
 
Update:
Winner Best of Show - Houston 2018
 
Update:
After posting the video of Eternal Beauty, Best of Show at the Pacific International Quilt Festival, Captain John wanted to see more of this stunning quilt and thought you might like to as well. Take a peek at all the little details Sherry Reynolds put into her award-winning design. We've added them below the quilt label.
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Sherry Reynolds won the Pacific International Quilt Festival Best of Show in 2011 with America, Let It Shine (Which also won Best of Show in Houston 2012.) This year she has won it again with Eternal Beauty, a loving tribute to her mother, which took Sherry 4 years and 15,000 pieces to make.
 
The work Sherry put into this piece is unbelievable. The border is made up of tiny strips, some as small as 3/16" of inch. Many of the pieces were mirrored and matched with extreme precision. The circular pieces are strips of silk that were hand appliquéd to the background.
 
Sherry still uses her domestic machine (a BERNINA) to quilt and for many of you that follow Sherry on Facebook, you'll know that it all didn't come together perfectly the first time, which gives hope to us all.
 
Congratulations Sherry!
 
(Please make the video full screen to see the amazing details.)

 

Eternal Beauty by Sherry Reynolds - photo Sherry Reynolds

(Following photos by Mary Kay Davis)