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Want to add a little flair or a splash of color to your pet’s collar? As easy as they are cute, this DIY pet bandana from Spoonflower is guaranteed to have you and your pups jumping for joy. And with a free downloadable pattern and video tutorial, you’ll be surprised how fast this project sews up.
Click here to go to online tutorial.
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Wheel of Time, circa 1880 red and white hand quilted quilt made by Mary Tennessee “Polly” Copeland Neal.
Gift of LeAnne Traybsza, TTU-H2018-056-001. Image courtesy of the Museum of Texas Tech University
The dream of every curator of quilts is to be contacted by someone offering to donate an absolutely beautiful quilt for the collection. An e-mail of that sort came into the Museum’s general e-mail mailbox on April 23, 2018, while I was in the Netherlands looking at their quilted treasures.
When the pictures arrived I knew immediately that we wanted the quilt for our museum collection. It took some back and forth of e-mails before we worked out the details, and honestly, for a time I wasn’t sure we would be able to accept the quilt because the donor hid address and phone number information that we need for doing the gift agreement and other paperwork. I was corresponding with someone about a quilt and wondering if it was somehow acquired in a manner that was not quite above board since I wasn’t getting contact information. I’m sure then when she reads article she will laugh, but along with taking a month before she shared her mailing address, at times I wondered if the donation would truly be made.
The day the quilt arrived it was far better than the pictures we had received. There are a few small stains, but they do not detract from the overall beauty of the quilt. When you look closely at the quilt, it is even more magnificent. The blocks are set on point and the feather quilting around the blocks makes the quilt look as if the blocks were put together with curved piecing.
Detail of Wheel of Time quilt showing the curved feather quilting. Wheel of Time, circa 1880 red and white hand quilted quilt made by Mary Tennessee “Polly” Copeland Neal. Gift of LeAnne Traybsza, TTU-H2018-056-001. Image courtesy of the Museum of Texas Tech University.
As always with any donation, I ask questions about the maker and was very fortunate to find that it was a family quilt made by the great great grandmother of the donor. The family supplied an image and a print out of the information on the donor from Ancestry.com. What a gift! This valuable information enables the quilt to be a real tribute to the maker herself.
Mary “Polly” Copeland Neal, maker of the red and white Wheel of Time quilt.
Image courtesy of LeAnne Traybsza.
Mary Tennessee “Polly” Copeland Neal, maker of the red and white quilt, was born in 1858 in Overton, Tennessee. She married William Thomas Neal in Overton Tennessee on November 19th in 1882. She gave birth to three sons who lived to adulthood and one daughter who died six months later after birth. Polly Neal died (in 1889) eleven days after the birth of her fourth child (a son), most likely due to complications during the birth. She lived her entire life in the Overton, Tennessee area and where she created this beautiful masterpiece. I’ve touched base with the Tennessee quilt historians to see how this quilt might fit into the history of Tennessee. We forget how difficult childbirth was for women in the 19th century, until we learn about what happened to a particular quilt maker. That final son left Tennessee at the age of 14 and eventually settled in Geary, Oklahoma. It is through his family that the quilt descended.
After I saw photos of the quilt I shared with the donor images of a similar quilt (on the left) in our Museum’s collection, made in Colorado City in West Texas about 1929 by Olive Pearl Wigley Price. Olive Pearl likely got the pattern for her quilt from Comfort Magazine which was published in Augusta, Maine from 1888 to 1942 with the motto, “The key to happiness and success in over a million and a quarter homes – Devoted to art, literature, science and the home circle.” The audience for the magazine was rural Americans and was a source for quilt patterns. Olive Pearl’s quilt layout is somewhat different with the stars, but the patterns are similar. It is wonderful to have them both together here for comparison.
In correspondence as we wrapped up the donation process, LeAnne Traybsza said, “My mother I have been quilters earlier in our lives . . .. I just wanted to preserve the quilt so that it is not destroyed by someone who did not appreciate the workmanship in its quilting. I felt that gifting it to a museum was my best chance at its preservation for future generations.” Truly a woman after my own heart! That is why I work in museums and have worked so hard to develop the quilt collection at the Museum of Texas Tech University—so that the wonderful workmanship and these objects of beauty, which were so important in their maker’s lives, can be preserved for future generations. Thank you to all the quilt guilds and quilt related businesses for all you have done as a group to ensure preservation of our art form. Oh and by the way, LeAnne did ask for visitation rights to the quilt. Which of course we always grant… with a little advance notice. I look forward to meeting LeAnn.
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Ricky is going to be on the Quilt Alliance's StoryBee series. What is StoryBee all about? Here's the latest from the Quilt Alliance:
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Karlee's quilt, Disparity, won 1st Place Surface Design in Houston 2017. The subject matter is not something you might typically find in a quilt. Karlee writes, "This piece is my statement on the idea that beauty can come even from within the darkest of places." We believe that as well, Karlee's quilt is absolutely beautiful.
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The Sale ends tonight. What other great ideas did members use their 10% on?
Each trending item is a link so just click and you will go to that item or category.
What do you want to save your money on?
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(This little pouch is good for adults too. Store your glasses...or maybe your rotary cutter.)
Click here to download pouch template.
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This stunning award-winning quilt, Rose Parade II by Linda Thielfoldt, showcases her original quilting designs along with freehand work. The roses are beautiful, and definitely red, in this wholecloth garden.
80" x 80"
Learn from Linda in Show 1006 - Quilting for Garments: Watch and Wear.
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Kathy worked with polychromatic prints (prints with lots of colors) and "super" color to create a sophisticated quilt that would show her customers just what you could do with these types of fabulous fabrics.
Watch Kathy Doughty in Show 2303: Free-Form Organic Appliqué & Twisting the Traditional Wedge.
Original Photo: Mary Kay Davis
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