Thank you so much for your input. I think I will look at other options for the quilting. Terrina

terrina wrote:
Terrina, I crosshatched over the qpplique pieces because I have seen lots of antique coxcomb quilts that were hand quilted like that, so I thought it was appropriate.
I did not use Stable Stuff on this quilt. It's just old-fashioned, needle-turn applique. No foundation, no freezer paper, no glue. Just needle and thread.

On my Hugs and Kisses quilt, which was done with Stable Stuff foundations, I did not use this quilting technique, but instead, I free-motion quilted around each element.
I didn't add any background quilting because there is so much applique in each block, I didn't feel it was necessary. Because some of the flowers have several layers I think you would just have to slow down and be careful stitching over them. I would definitely use a walking foot because of the added bulk. If you have a question about it getting "skewed", you might want to make a small sample sandwich with an appliqued flower and see if it gives you a problem.

Margo, I love the effect of the crosshatching. I notice you crosshatched over the applique pieces. Did you use Stable Stuff under those applique pieces? Since I haven't washed the quilt yet and don't know how the Stable Stuff "behaves", was the puff enough to get skewed when you stitched over it?

Thanks, Margo. It looks great. I just really like cross hatching as a look.

QuilterLynn wrote:
Hi Lynn! I had to go check, but I used a monofiliment on top and a fine cotton thread in the bobbin. It was probably YLI nylon and Mettler silk finish cotton, because it was before I knew about Superior.

So, about Coxcomb Margo. Did you change threads or use monoPoly? I can't see any color on anything which means you did one or the other! ha

Margo...thank you for the info on crosshatching on a long arm. So, now I know. That means I'll have to master getting a "big" quilt done on my 440QE. There are so many quilter's that can...I just have to try. I want someone to offer a machine class where you work on your own "big" quilt and not just 12" square sandwiches. That class I would take. (The biggest quilts I've quilted are 42"X48" quilts for my great nieces and nephews.) Anyway...thanks again Margo!

Sewdreamy wrote:

Thanks BJ, but being the Forum Housemother is all the responsibility I can handle right now!!

makesgeese wrote:
Thanks Barbara! Actually, I made that quilt several years before I got my long arm and it was quilted on my Bernina 1090 (machine from 1992) with a walking foot.
Crosshatching is very difficult to do on a long-arm. For one thing you can only stitch a small area at a time (depending on the size of your table) instead of stitching long continuous rows like you can do with a walking foot on a domestic machine. For another thing, stitching any bias angle is more difficult on a long-arm because of the way the tracks and wheels work. Have you ever tried to draw a 45 degree line with an Etch-A-Sketch? Same thing! It's easy to go horizontal or vertical, but any diagonal line needs to be guided by a ruler, and a lot of long-armers don't like working with rulers.

I also find that the only way I can get good cross-hatching is to mark the entire quilt, and long-armers don't like to mark customer's quilts.

Oh wow, Libbi. I am still way back in April on my Hugs and Kisses. Is that time travel? I look forward to seeing your finished quilt. I've been trying really hard to finish my Geisha quilt. I finished quilting the central scene and am now quilting the borders. Maybe after that I can get back to my Hugs and Kisses.

Margo, That is one gorgeous quilt. You never cease to amaze me. When are you going to start teaching classes at the Mid-Atlantic Quilt Festival so I can come learn to quilt from you?

Cheers,

BJ

Margo...your coxcomb quilt is beautiful! I have asked several long arm quilters if they would do crosshatch quilting for me and they said they couldn't. But, look at yours...it is just what I love. Did they just not want too? Can you not do that on some long arms? Just wondering...

I can't wait to see it when you are finished. Those blocks that are now part of your quilt were my inspiration to attempt to digitize Hugs & Kisses. I did those under the guidance of Joanne Winn and deconstructed her designs to see how she digitized applique to create new fabrics and move forward from the blanket stitch and the satin stitch edge. Since my German is non-existent (well, I can sort of read a menu) and my French is elementary, I don't have the opportunity to take courses outside of what I can do on the internet.

I'm in the same boat, Libbi! Just this morning I finished outline stitching and adding one line of echo stitching around all 66 blocks of my Bouquet of Friendship in order to provide a base for the background fills. Hopefully that will be enough to tie the blocks together, because they are all SOOOOO different! It's been wonderful fun getting to know all of the blocks up close and personal! Your machine embroidered fabric and machine applique are delightful!

I still have to do all the background fills, which will vary, and figure some way to quilt all the weird sashing pieces. What was I thinkin'???? :shock:

Oh yeah...then there are those humongous borders!

Margo, all I can say is WOW!

I have seen this all over quilting grid on antique quilts too. It is very effective.

I went mad with digitizing decorative stitches on my blocks and quilting over them really isn't an option. I am going to do the outline technique and then fill in with other motifs--I hope. But I have a few more steps to complete before I get to that stage. When I'm done, I'll post photos. That is, if it's not TOO bad a job.