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Photo: Mariko and me.

Greetings! Meet Mariko - my awesome interpreter! Also, see the Best of Show quilt from the festival and glimpse into my fisrt two classes - yes the piano was on stage in my Rhapsody lecture class. Enjoy! I appreciate hearing your comments so keep them coming. Also, Leanne Halls, with Bernina, and Keiko Goke, who you met in the previous blogs, had my camera in their hands a few times.

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    "Mom's Rag Quilt" by Rorimer

Hundreds were left homeless without any household items due to the recent California fires.  We are asking you-our quilting community for help.  This is a nation-wide project.  Please consider making quilts for those effected by the fire.  The quilts can be any size you choose.  You can make as many as you would like.  Consider making a Rag or Shaggy quilt that can be completed very quickly.  We have even given you the pattern and directions. 

Why not use this opportunity to purge your stash.  Give the gift of a quilt to someone who has lost everything.  For more information about this project please contact Wendy sugartre@hotmail.com

If you live in California and would like to be a contact person for quilts please contact Wendy sugartre@hotmail.com  

Raggy Shaggy Quilt
Twin size quilt: 36" x 78" finished
Block size: 6" finished


Cut flannel or 100% cotton fabric into 8-inch squares.
Cut batting into 6-inch squares. Whether making blocks to contribute or only able to donate the batting, please label type of batting used as well as loft.
To make squares, sandwich one 6-inch square of batting between two pieces of flannel/fabric (centered), with right side of flannel or fabric facing out (like you would a regular quilt). Starting at a corner, sew an "X" across top of block diagonally. Do not sew around sides of the square. These seams will be closed up when they are joined to other squares in the quilt.
To make an entire quilt, sew "sandwiched" blocks into rows of 6 each with one-inch seams. Join rows, matching seams of blocks. Sew around entire quilt’s diameter, continuing to use one-inch seam. Adding a one-inch long back stitch will strengthen outer corners.
Clip seams every ¾" to 1 inch. Be careful not to cut seam threads. But approximately 1/8" away from seams. Shake clipped quilt vigorously (outside suggested), washing/drying gives the quilt the soft, shaggy appearance. Using a commercial laundromat is highly recommended. Cleaning the lint trap with frequency during drying time will extend the life of your home dryer. After drying, shake quilt again to remove excess loose threads.

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Let's hear it for quilt shops across the world - NEVER EVER pass one up - Still kicking myself for not getting the Japanese fabric......................Thank you NY City Quilter for opening your doors to us!

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Photo: Kayoko Ozono, my biggest Japanese fan!

Konichiwa!

After arriving, I delivered my quilts for a special Ricky Tims' exhibition. I also ran into my biggest Japanese fan, Kayoko Ozono. I have met her twice at the AQS show in Paducah and she always brings me a gift. She makes very happy quilts as you will see. Then I had the great honor of participating in the formal opening ceremonies of 15th Annual International Quilt Week Yokohama. I said a few words, played my flute, and got to cut the ribbon with fancy gold scissors with ribbons - and we had to wear white gloves.

Speaking of white gloves, notice that the workers are wearing them to handle the quilts, and also notice that the worker is not wearing shoes on the carpet on which the quilts are laid.

I'm very impressed at how this culture pays attention to very fine details and takes such pride in their work. As a matter of fact, I've not found a scrap of litter in this area. On a more personal note, I won't tell you all the details of the computer controlled, rocket science designed toilet in my room, but wow is it ever amazing. (Hmm, well I guess I just told you anyway.)

My translator, Mariko, has been wonderful. I hope to introduce her to you and also provide you images of the winning quilt soon. Until then,

Sayonara

 

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(photo: Ricky with Keiko Goke, visit Keiko's blog here)

Greetings from Japan.

I am here as a guest of Bernina of Japan at the 15th International Quilt Week Yokohama. My quilts are on display and I am teaching a few classes. As you probably know, the Japanese are excellent quilters and create magnificent designs. On a more personal note, I'm already experiencing culture shock - but in a good way - and there are plenty of things that make me feel right at home.

I had a bit of free time while decompressing and was able to put together a video of my adventures so far - enjoy!

Ricky - still jet lagged but hanging in there.

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Kiss How do I look?

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Tons of TV people were at festival - I developed a serious case of camera envy! What is a gal to do?

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Story Submitted by: littleflower

The most beautiful part of quilt-making for me is giving the quilt to the person intended and watching their reaction. In March of 2006 the president of my guild made the announcement that a young woman she knows, who lost her husband about 9 years before, is looking for someone to make a quilt for her from clothing of his that she'd saved after he passed away. I went home to think about it. Two days later I called the guild president and said I'd be interested. She made the necessary phone calls and I met with Mary (not her real name) a few weeks later. She arrived at my home with a huge bin of his old clothing. This included t-shirts, jeans, polo shirts, oxford shirts and a few ties. As we went through the clothing I thought this would be two quilts, at least the first being a t-shirt quilt and the second a feathered star. As we sorted we talked about her husband and the important memories. I wanted, no, needed to know, a bit about this man and this family so that the quilts would reflect them as much as possible. By the end of our time together I felt confident that the project would work well. After posting on a couple of message boards I learned that the t-shirt quilts weren’t that difficult to make. One of my friends sent directions. Although not straight set the t-shirt quilt was done rather quickly. She was thrilled and before making the second quilt she asked me to make quilt blocks for his mom and all of his brothers and sisters. I made up a couple of blocks, gave some prices and after some discussion completed the project in time for her to get them to the family members for Christmas. On to quilt number two - the feathered star. I looked all over for a feathered star pattern; found a couple however for some reason I was having trouble going from the directions to making the actual quilt blocks. I cannot tell you how frustrating that was! I really wanted to have this quilt completed sooner rather than later. At this point it had been nearly a year since I took on the project. In April I went to the Quilters Heritage Celebration and with a little encouragement from a friend I bought Marsh McCloskeys “Feathered Star Quilt Blocks I – Really Hard Blocks That Take a Long Time to Make”. That night I began reading the book and all Ms. McCloskey’s explanations made so much sense to me! Whew! Later that week I cut out the pieces for 5 feathered star blocks. I did as much chain piecing as I could, keeping all of the fabrics straight. I finished one block completely and then was able to work on the other four blocks all at the same time. The whole quilt was completed within 4 weeks. I called Mary and let her know the quilt was done and she could come pick it up. When Mary arrived, we chatted for a couple of minutes. Then I folded the quilt out on the floor for her to see. She knelt down, touching the fabric and the look on her face was something amazing. All of her memories of this man that she loved so much just swept over her face in one moment. And me, I was just honored to be there.

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      "Life Reflections" by Deborah Sylvester 

Many quilters often wonder how their favorite quilting mentors became interested in the art of quilting and what inspires them.  Lilo, the QuiltShowWizard, caught up with Deborah Sylvester in Houston and had the chance to sit down and ask Deborah a few questions about her quilting career.  Interestingly enough, the journey for Deborah has similar threads (no pun intended) to that of many quilting fanatics. 

Deborah’s husband of 23 years, a United States Marine with whom she has had the joy of parenting 3 children, was stationed in Virginia Beach, Virginia, USA.  At that time she began watching Alex on Simply Quilts.  On one particular program, the pattern demonstrated was Friendship Star.  Deborah thought to herself, “I’d like to make this pattern,” so she gathered all of the necessary supplies and completed two blocks.   She became frustrated because they didn’t match.  Unwilling to give up so early, she went to her local quilt shop for assistance and advice and learned about the necessary quarter-inch foot on the sewing machine.

A short time later, Deborah’s family moved to Louisiana, where she joined a local quilt guild and learned a great deal more about her new found hobby.  After attending the Houston show in 1998 and taking classes, she was ready to enter her first quilt in the Houston show exactly one year later, in 1999. 

Initially Deborah’s work was in the traditional vein, but she soon learned she could not be as accurate as she desired.  She had always wanted to try her hand at the more artistic quilts, and ironically (or as a matter of fate) met Hollis Chatelain in the elevator while at that same 1999 show in Houston.  She and Hollis chatted, and Deborah subsequently began taking instruction from Hollis, who quickly became her mentor.  Deborah proved to be a quick learner - she had her first gallery show while stationed with her husband in North Carolina. For that particular show, she was required to create 6 pieces in 6 months - no small feat, even for the most accomplished artist.

Deborah’s studio at Edwards Air Force Base, California, was in her laundry room.  She put the cutting board atop the washer and dryer.  She says that most military spouses who are also artists have to be very creative to find space in which to work.  This is further proof of the old adage (as if more is needed) that “where there is a will, there is a way.”

Deborah’s style of work is fabric collage, which is hundreds of tiny pieces of fabric glued to the surface, as a painter would use paint. She has been evolving with this artistic style for 10 years.   Deborah purposely obscures the ethnicity of her subjects.  She says, “We all have the same colors in our skin, just different amounts of those colors.”  She hopes the viewer sees what they imagine. 

Deborah’s procedure differs somewhat from what one might expect in that she purchases fabric for the skin tone of her planned subjects, not the pattern of the quilt.  Once she has accomplished purchasing the fabric, she begins with a line drawing and then enlarges it.  She also stays very focused, only working on one piece of art at a time.

Deborah currently lives in the Pacific Northwest with her family and stays busy exploring and creating.

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593_libbylehman.jpgThread embellishment and sewing machine expert Libby Lehman shares her Sheer Ribbon Illusion technique and demonstrates how she uses the BSR (Bernina Stitch Regulator). Ricky performs a tune from Heart and Soul, Heather Purcell with thread tips and photo man, Gregory Case joins us with a very special photo contest!