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Hurry on Snowy Road I am Late! by Keiko Morita. (Image TheQuiltShow.com)

Over the course of six months, we have covered a wide range of subjects in The Art of Quilt Design program. As we come to a close, we hope have you have found these lessons helpful as they pertain to your own work. We would very much like to thank all the artists and especially the TQS family of artists who so generously shared their knowledge and quilt images with us. Without them, this program would not have offered the same depth of understanding or value. We are tremendously grateful.

One is never too old to learn. You have dipped your toe in the water when it comes to understanding design. Think of learning as a journey (hopefully, on the correct side of the road), with continued study always a good idea. Classes, online courses, and books abound to help you continue growing as a quilt artist. Below are a number of resources we believe would be a good place to continue your education:

Alex Anderson - All Things Quilting

Christine Barnes (Show 1407) - The Quilters Color Club

Deborah Boschert (Show 2108) - Art Quilt Collage: A Creative Journey in Fabric, Paint and Stitch ; Head, Heart and Hands: Developing Your Creative Voice Artist (Workbook)

Melody Crust (Show 312 and Show 1706) - A Fine Line: Techniques and Inspirations for Creating the Quilting Design

Jane Dunnewold (Show 1501) - Creative Strength Training: Prompts, Exercises and Personal Stories for Encouraging Artistic Genius (Self-guided course of study)

Becky Goldsmith (Show 611, Show 1704, Show 2401, and Show 2701) - The Quilter's Practical Guide to Color

Lyric Kinard (Show 1311, Show 1710, and Show 2013) - A Pocket Guide to Critique: How To See Your Work With An Artist's Eye

Katie Pasquini Masopust (Show 906, Show 1913, and Show 2210) - Color and Composition for the Creative Quilter ; Design Explorations for the Creative Quilter

Jean Wells (Show 107, Show 1301, and Show 2513) - Intuitive Color & Design: Adventures in Art Quilting ; Journey to Inspired Art Quilting: More Intuitive Color & Design

Joen Wolfrom (Show 103 and Show 2101) - Color Play, Second Edition

Click here for more topics related to The Art of Quilt Design program

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When Vicki Anderson of Machine Quilting Unlimited magazine asked for whole cloth quilts, Teri Lucas answered the call. The idea for her quilt, @Play, was inspired by a conversation with a friend who told her that she should make a "spiral" quilt. Little did Teri know, her spiral ended up going on what she calls a "wacko journey".

Learn from Teri in Show 2707.

Original Photos: Zumi Hidalgo

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Beginning today, TQS will now be featuring quilts exhibited in 2020 at QuiltCon as part of The Quilts of Victoria Findlay Wolfe exhibit. The exhibit is described as:

"Purposeful play is a deliberate free-form practice with one goal in mind: to ultimately improve the outcome of the finished product while capturing a thought, emotion, or technique. Always fascinated by color, pattern, and quilters who came before us, Victoria Findlay Wolfe found her life's true joy in exploring her grandmother's quiltmaking as a starting point.

Her diverse and exciting body of work stirs quilters worldwide to dig deeper, take risks, and experiment with fabric. This retrospective exhibit features a selection of Findlay Wolfe's inspiring quilts and the stories behind them."

Please enjoy Victoria's first quilt from the exhibition.

Title of Quilt: I Am Not Perfect And That Is OK

Quilter's Name: Victoria Findlay Wolfe

Quilted By: Victoria Findlay Wolfe and Shelly Pagliai

Quilt Size: 67" x 67"

Original Photos by Mary Kay Davis

 

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Faces of Four Seasons by Joanne Baeth shows both the progression of the seasons and life as it shows some baby raccoons growing up as the year moves along. Featuring amazing machine quilting and fused appliqué, it is a truly a wonder of nature to behold.

Faces of Four Seasons by Joanne Baeth of Bonanza, Oregon was featured in the Naturescape category at Houston 2019.

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The class for The Basket Puzzle Quilt begins. Alex let's you know the good news and the bad news...they are the same. This quilt will depend on your creativity. Alex will lead you through design, value, and choices so the final quilt will be your own. Join the group for a fun time quilting and connecting. Alex is LIVE today, September 25, 2020 at 10am PDT, 1pm EDT, and 6pm London. Fun!

Use your own fabric or get the fabric bundle here. Just a few left so please hurry.

Get the Sweet 16 Fat Quarter Bundle by Laundry Basket Quilts for the project RIGHT HERE!

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Inspired by Alex's Color Bridge line of fabric, Teri gave herself a challenge and learned to paper piece using New York Beauty Blocks to make her quilt When Alex & Jinny Met in New York Beauty Happened. Composed of Alex's fabric and Jinny Beyer's fabric, hence the name, it is a celebration of color to behold.

Learn From Teri in Show 2707.

Original Photos: Zumi Hidalgo

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We continue our selection of quilts exhibited in 2019 at the Houston International Quilt Festival as part of their 45th Anniversary, the Sapphire Anniversary. The Sapphire Celebration exhibit is described as:

"Quilters have long used the color blue to symbolize trust, loyalty, wisdom, confidence, intelligence, faith, truth, and heaven. Sapphire is also the chosen gem to celebrate 45th anniversaries—which International Quilt Festival is doing this year (2019)! These new and antique blue and white quilts will be suspended from the ceiling in a spectacular and unforgettable display."

To be a part of the exhibit, quilts had to fit the following criteria:

  • Entries may be Traditional, Modern or Art.
  • Entries must have been made between 1974 and 2019.
  • The minimum size is 50” x 50”

Please enjoy the thirty-second quilt from the exhibition by an Unknown Maker.

Title of Quilt: T Block Variation

Quilter's Name: Unknown Maker

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"Smiles are infectious no matter where or when you see one, and if a smile draws you in, you can't help but feel happy too." We think Heidi Proffetty (Show 2406) captured that feeling perfectly in her quilt Are You Smiling At Me? You don't even notice the approximately 4,000 small appliqué pieces when appreciating the look shared between the boy and the llama.

Are You Smiling At Me? by Heidi Proffetty of Bridgewater, Massachusetts was featured in the People, Portraits, & Pictures category at Houston 2019.

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Bouquet Royale by Margaret Solomon Gunn (Image by Jeffrey Lomicka)

Three Easy Steps To Save This Lesson As A Pdf:
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-Select the pdf. option. Wait a few minutes. It's a large file due to the number of images.
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Many of you have made at least one trip to a major quilt show. And one of the highlights of the visit is, of course, seeing the spectacular diversity of quilts on display in the gallery. As you walked through the show gallery, did you ever ask yourself, "If I were the judge in this contest, I would have selected another quilt for X prize." As we discovered in the last lesson, the determination for awarding a Masterpiece Award Quilt by a National Association Certified Quilt Judge, including this stunning winner Bouquet Royale by Margaret Solomon Gunn, involves a wide variety of criteria including:

- A quilt showcasing workmanship and design development that is exemplary and above expectation

- A quilt that will stand the test of time

- A quilt that includes intricate details, excellent contrast, proportion, harmony and a fresh sense of creativity.

- A quilt that is within a specific size, no older than five years, and the maker must be living

But what exactly does it take to become a National Association Certified Quilt Judge? Think of it in terms of the time and effort you put into making a family quilt heirloom. An heirloom quilt requires careful planning, hours of dedicated work, and your absolute best skills. After all, this quilt is something to be passed on for future generations to enjoy and admire. For those who desire to take the plunge, Stacy Koehler's article sheds light on the elaborate, but ultimately fulfilling process.
 


Conway Album (I'm Not From Baltimore) by Irma Gail Hatcher

The Mechanics of Becoming a Certified Quilt Judge
by
Stacy Koehler,
Secretary, National Association of Certified Quilt Judges

When the National Association of Certified Quilt Judges (formerly called the National Quilting Association) began their certification program, it was with the intention of awarding a credential to current working quilt judges. This credential would indicate to all, that the recipient earned the distinction through broad and in-depth knowledge of quiltmaking, held themselves to professional and ethical standards, and would reflect well on others who shared their designation. Passing the requirements for certification bestowed a professional legitimacy to a quilt judge.

Notice that I did not mention training or teaching. Candidacy, in the form of major independent study, is the responsibility of the not-yet-certified judge, as NACQJ does not teach how to become a certified judge. This does not mean that NACQJ does not offer opportunities for learning, but the candidate is definitely in control of and responsible for their own judging education. This is an extremely important point. The ability to work independently is the crucial factor leading to certification.

Once an individual enters the program and begins their candidacy, they have five years to complete the process. Generally, a successful candidate is one who has been actively involved in the quilt and quilt show world prior to program entry.

A candidate’s experience outside the program lays the foundation on which they will continue to build their personal professional skills. It is important for the candidate to carefully assess if she/he has the necessary breadth of knowledge and can fill gaps as they are discovered. Virtually all candidates will find gaps somewhere along the journey. Given the need to bolster their skills and experience, and the fact that life can get in the way of anyone’s plans, suddenly five years starts to look a little skimpy.

The certification program requires time spent judging, observing, working as an aide and attendance at NACQJ partner shows. In addition to judging activities, there is a written component in which the candidate demonstrates their quilting knowledge with respect to the operations of a quilt show, professional and ethical behavior, and specific judging points across the entire range of quilting techniques.

The written component should not be underestimated; it is rigorous. Three certified judges review each candidate’s written work independently, to decide if it is a passing effort. If the work is deemed not passable, the candidate may be asked to repeat/correct the paperwork.

Following acceptance of the written work, the candidate sits for an oral evaluation before a three judge panel. The panel will be observe the candidates professional demeanor, the ability to think on their feet and a knowledgeable understanding regarding any technique placed before them. The candidate will also act as judge in a mock quilt judging.


If the candidate passes, a newly minted NACQJ Certified Judge joins the ranks, and there is general rejoicing! Each CJ is required to file an update every three years documenting their pursuit of continuing education and commitment to professional activities. The techniques, materials, tools and trends in quilting are constantly evolving.  A judge who doesn’t work to keep their skills relevant quickly loses his or her edge. 
The challenges are real, but they can be met steadily, step by step.

 

Click here for more topics related to The Art of Quilt Design prog
 

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With a cavalcade of colors, Rainbow Stars by Clydene G. Sigle and quilted by Joy Johnson is a paper piecing marvel. Featuring twenty-nine star blocks it is almost like a real rainbow, you don't know where it begins or ends.

Rainbow Stars by Clydene G. Sigle of Sylvan Grove, Kansas, quilted by Joy Johnson, was featured in the In the American Tradition category at Houston 2019.