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Sue Garman's Stars for a New Day, created for TheQuiltShow.com members, was our 2009 Block of the Month. Many of you made it and won 5 State Fairs and over 100 local and national ribbons. Cherrie Kridler made a wonderful rendition with her own fabric and some personal changes. We saw Cherrie's quilt at Houston 2016. She named it Lucky Stars for a New Life - Retirement. Great job Cherrie.

Be sure to join us with Sue's Pattern, The Halo Medallion, our BOM for 2017. The quilt pattern has been extended through 2018 so everyone can get a chance to get a ribbon of their own. Want a head start? Get the new kit by Island Batik made for the Halo Medallion pattern and get a special discount.

 

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Lilo and Mary Kay caught Michele in the break room during taping of The Quilt Show and discovered that she has quite a unique way to answer her most asked questions. And she shares those answers with us.
 

Star Members can watch Michele in Show 2109: Inventive Products & Binding Unusually Shaped Quilts, also featuring Laura Wasilowski.

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This is a very interesting block. What do you think it is called? Play the game and find out.

 
 

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(Photo by Jeffrey Lomicka)

Many of you will be making the trip to the International Quilt Festival soon. And the highlight of the show is, of course, seeing the spectacular diversity of quilts on display in the gallery. As you walk through this, or any other major quilt show gallery, have you ever thought to yourself, "If I were the judge in this contest, I would have selected another quilt for X prize." As we discovered last week, the determination for awarding a Masterpiece Award Quilt by a National Association Certified Quilt Judge, including this stunning winner Bouquet Royale by Margaret Solomon Gunn, involves a wide variety of criteria including:

- A quilt showcasing workmanship and design development that is exemplary and above expectation

- A quilt that will stand the test of time

- A quilt that includes intricate details, excellent contrast, proportion, harmony and a fresh sense of creativity.

- A quilt that is within a specific size, no older than five years, and the maker must be living

But what exactly does it take to become a National Association Certified Quilt Judge? Think of it in terms of the time and effort you put into making a family quilt heirloom. An heirloom quilt requires careful planning, hours of dedicated work, and your absolute best skills. After all, this quilt is something to be passed on for future generations to enjoy and admire. For those who desire to take the plunge, Stacy Koehler's article sheds light on the elaborate, but ultimately fulfilling process.
 

The Mechanics of Becoming a Certified Quilt Judge
by
Stacy Koehler, Secretary, National Association of Certified Quilt Judges

When the National Association of Certified Quilt Judges (formerly called the National Quilting Association) began their certification program, it was with the intention of awarding a credential to current working quilt judges. This credential would indicate to all, that the recipient earned the distinction through broad and in-depth knowledge of quiltmaking, held themselves to professional and ethical standards, and would reflect well on others who shared their designation. Passing the requirements for certification bestowed a professional legitimacy to a quilt judge.

Notice that I did not mention training or teaching. Candidacy, in the form of major independent study, is the responsibility of the not-yet-certified judge, as NACQJ does not teach how to become a certified judge. This does not mean that NACQJ does not offer opportunities for learning, but the candidate is definitely in control of and responsible for their own judging education. This is an extremely important point. The ability to work independently is the crucial factor leading to certification.

Once an individual enters the program and begins their candidacy, they have five years to complete the process. Generally, a successful candidate is one who has been actively involved in the quilt and quilt show world prior to program entry.

A candidate’s experience outside the program lays the foundation on which they will continue to build their personal professional skills. It is important for the candidate to carefully assess if she/he has the necessary breadth of knowledge and can fill gaps as they are discovered. Virtually all candidates will find gaps somewhere along the journey. Given the need to bolster their skills and experience, and the fact that life can get in the way of anyone’s plans, suddenly five years starts to look a little skimpy.

The certification program requires time spent judging, observing, working as an aide and attendance at NACQJ partner shows. In addition to judging activities, there is a written component in which the candidate demonstrates their quilting knowledge with respect to the operations of a quilt show, professional and ethical behavior, and specific judging points across the entire range of quilting techniques.

The written component should not be underestimated; it is rigorous. Three certified judges review each candidate’s written work independently, to decide if it is a passing effort. If the work is deemed not passable, the candidate may be asked to repeat/correct the paperwork.

Following acceptance of the written work, the candidate sits for an oral evaluation before a three judge panel. The panel will be observe the candidates professional demeanor, the ability to think on their feet and a knowledgeable understanding regarding any technique placed before them. The candidate will also act as judge in a mock quilt judging.


If the candidate passes, a newly minted NACQJ Certified Judge joins the ranks, and there is general rejoicing! Each CJ is required to file an update every three years documenting their pursuit of continuing education and commitment to professional activities. The techniques, materials, tools and trends in quilting are constantly evolving.  A judge who doesn’t work to keep their skills relevant quickly loses his or her edge. 
The challenges are real, but they can be met steadily, step by step.

 

 

 

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If you are looking for the article on Becoming a Certified Judge, please click here. There was an error in the newsletter.

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Beth Nufer and Clem Buzick's quilt, Carnival, won Best of Mid-Century Modern at PIQF 2017. While it's quite the colorful quilt, what really caught our eye was the ombré effect of the background fabric. They also used silks and cottons to create a wonderful feeling of depth and a magnificent 3-D effect. The quilt measures 82" x 82" and is machine pieced, hand appliquéd and longarm quilted.

Artist's Statement:

"I love geometrics with 3-D. Mid-century fills that bill. I used silk fabric with cotton background to give it depth."

 

 

 

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When we first saw this quilt, we shook our heads in wonder. How did she make that lattice border and have it hang so straight and square? Fortunately, Laura at Slice of Pi Quilts wrote a blog about it and walked through the process step by step.
 
 
 
(Autumn Lattice Quilt by Laura at Slice of Pi Quilts)
 
 

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Paths We Take by Michele Sanandajian was the winner of Best Innovative Style Quilt for the Florida Competition at the World Quilt Show Florida 2017. This expressive quilt also won Viewer’s Choice.

Star Members can learn how Michele makes her quilts in Show 2109: Inventive Products & Binding Unusually Shaped Quilts, also featuring Laura Wasilowski.

 

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Deborah's "year of ladders" continues with Cultivate and Climb. Deborah's quilt won Laura Wasilowski's Judge's Choice award at the Dallas Quilt Show 2017.

You can learn about Deborah in Show 2108: Surface Design Simplified & Vintage Quilt Bed Turning. This show also feature Julie Silber.

And Laura is back in Show 2109: Inventive Products & Binding Unusually Shaped Quilts which also features Michele Sanandajian.

Original Photo: Mary Kay Davis

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Barbara Nickelson's quilt, Almas' Roses, 86" x 93", took hand-drawn designs by Alma Scow and Alma Wrightman (1920-1930) and combined it with quilting by Jan Hutchinson. We saw this quilt at AQS QuiltWeek Spring Paducah 2017. We love how Barbara made the flowers flow around the quilt and how Jan crafted movement around them with radiating corners. The lovely quilted borders that flow into the flowers and the quilting in the center of the quilt, draw your eyes around the quilt.

 

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We watched Dr. Annette Gero as she discussed the very first quilt she collected for the collection.

 
And now, we have more highlights from the collection featuring quilts dating as far back as the time of Napoleon. Enjoy these quilts from WAR AND PIECED: The Annette Gero Collection of Quilts from Military Fabrics, was on exhibit through January 7, 2018 at the American Folk Art Museum in New York.
 

Learn more about the exhibition here.