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Quilt City USA® Murals is a privately funded floodwall mural series featuring paintings of actual quilts. They are painted on the floodwall adjacent to the Schroeder Expo Center at the Carroll Convention Center in Paducah, KY. The mission of Quilt City USA® Murals is to educate both locals and visitors on the relevance and rich history of QUILTMAKING! From the early settlers, to the Civil War, the Industrial Revolution, and the Bicentennial Celebration of 1976, the history of America can be seen in the history of quilts.

It was recenlty announced that the next quilt to be painted is...

 “…and Our Flag was Still There!” by Melinda Bula from El Dorado Hills, California. The relevance of this quilt complies with the criteria outlined by a Quilt Selection Committee headed by Bonnie Browning, AQS Executive Show Director, of having historical provenance.

“From the early days, quiltmakers have included the American flag in their needlework,” said Browning. “Melinda Bula made this quilt when her only son became a United States Marine. She dedicated it to all military families who have raised sons and daughters who sacrifice to keep us free.”

Click here to learn more about the project.


Note: The following was originally published in 2013.

Watch Melinda Bula as she takes us behind the scenes to create an amazing flag quilt for her son who joined the Marines after college. This quilt was recently added to the permanent collection of the National Quilt Museum in Paducah, KY.

Melinda says, “It’s a painting without any paint, where every color change is another piece of fabric. After the raw-edge fusible appliqué was completed, I used thread painting to blend the colors.”

To learn more about the quilt at the National Quilt Museum, click here.

To see more of Melinda and her techniques, watch Show 501: Fabulous Fusible Flowers.

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Stars Can’t Shine Without Darkness was created by Claudia Scheja and honors her daughter who was born with a brain tumor and only lived for a few short weeks. Claudia's quilt honors her 25 years later and reminds her of her angel in heaven. It is a loving tribute by a skilled quilter.
 
Shown on exhibit here at AQS QuiltWeek Padauch Spring 2019, Claudia's quilt is a multiple award winner including 1st place Wall Quilts – Movable Machine Quilted at AQS Lancaster 2019 and Honorable Mention at UQSM.
 
79" x 81"
Quilting Method: Movable Machine
Quilt Techniques: Fused Appliqué, Hand Appliqué, Machine Appliqué, Couching, Free-Motion Quilting, Machine Piecing
 
 

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We have beautiful batiks in our store!

We love batiks for so many reasons - the luscious colors and inventive designs that make our quilts so beautiful, the crisp hand that makes them easy to sew, the traditional manufacturing process that makes our projects more meaningful...we could go on and on!

The two below are some of our newest, but there are more in the store!

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This beautiful collection of cool batiks from the "Artisan Batiks" collection designed by Lunn Studios for Robert Kaufman features 20 different batik fabrics in soothing shades of blue, green, brown, purple and cream.

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This beautiful collection of autumnal batiks from the "Artisan Batiks" collection designed by Lunn Studios for Robert Kaufman features 20 different batik fabrics with leaf and acorn motifs in shades of brown, green, orange and gold.

Shop Now

 

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We have been featuring Wendy Grande's quilt, Americana Baltimore. In case you've missed our coverage of the rest of the quilt:

Today we show two of Capt'n John's favorite blocks"The French ribbon block with the cherubs is really amazing and I love the woven basket. I'll let Wendy tell the stories":

Grande Design – Flower Vase – I found an antique French ribbon at Bell’occhio in San Francisco that I fell in love with and had to have… After much consideration and negotiation I purchased 9 inches.  Yes it was sold by the inch!  I wanted the center of a vase to be the wonderful cherubs.  I then found a vintage ribbon that worked perfectly as a foot to the vase.  So then to fill this special vase – I went to full bloom roses and ferns. 

When my youngest daughter was in second grade “we” had a science project to collect ferns.  We went all over the neighborhood to find them and I was surprised at what as available, from our great neighbors.  I loved the texture and found a variety of ways to incorporate the ferns in by quilts. I have used straight stitches of either 7mm or 4mm silk ribbon, twisted the ribbon and also used leaf stitches – all yield great ferns.

 

The 7mm dark green long stitches were perfect to capture a Sword Fern and the rose leaves were from a piece of hand dyed cotton embellished with veins drawn with a green pigma pen.  The roses were made with a thin (roughly ½”) wired ribbon that was crumpled up and then wet and left to dry overnight.  I pulled the wire on the side of the ribbon I wanted to be inside the rose to gather it, and then wound the ribbon in a loose circle to unfold on the quilt block.  Old world roses fade to light on the outside so a few are darker on the inside to reflect natures work. 

 

 

 

Grande Design – Grape Basket

When I was growing up my Great Grandmother, Gran, had the most wonderful arbor with concord grapes.  I remember how beautiful they looked in the sunshine hanging from the vines.  Once I decided to weave the basket with twisted 7mm silk ribbon and trim the base, top and handle with a shaded ribbon.  The basket was woven directly on the background fabric starting with the staves (upright pieces) or ribs. Each rib was less than ¼” apart and anchored with a small running stitch on top and bottom to avoid adding knots and having ribbon shadow on the back.  They were also tighter at the bottom than at the top to give the basket it’s shape. Then weavers of 7mm silk ribbon was twisted and woven between each of the ribs with a small back stitch at each end to keep them straight.  All the loose ends of the staves were covered with an ombre ribbon to create the base, trim and handle

I knew the basket had to have fruit, specifically grapes.  I used a shaded wire ribbon to make the grapes and use wonderful colors of the shading and used a few twisted 4mm ribbons for the tendrils.  The peach and plums are made with hand dyed cotton fabric and the peach is shaded with a bit of oil pastels to give it more depth.  The pineapple is made with a gauging technique – running stitches were made diagonally with the design in the fabric and then pulled to create the texture of the pineapple and a few long stitches with silk ribbon were used for the pineapple leaves.  We could always find berries in Gran’s garden, so I added a few Strawberries and a few of her roses as well.

 

 

 

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Show some patriotism with Susan K. Cleveland's Show Your Colors quilt (32" x 21"). Fifty prairie points are pieced into the flag which is surrounded by piping and a border. Special techniques include embellished prairie points and piping. If piping and prairie point stitching are eliminated, the project is suitable for beginners.

 
This quilt uses Susan's Prairie Pointer Tool. You can learn more about it in Show 2308, which is currently available for FREE to everyone.
 

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Timna Tarr has an interesting studio space. Find out where she now makes her creative home. 

Watch Timna in Show 2501 where she talks about her new series of quilts devoted to maps (and shows you how to make one) along with a fun technique for creating a contemporary flower quilt.
 

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Today we continue our selection of quilts recently displayed at the Spring Paducah 2019 show featured as part of The 14th Quilt Nihon Exhibition. The exhibit is described as:

"Organized by the Japan Handicraft Instructors' Association, the Quilt Nihon Exhibition is one of the most prestigious international quilt contests in Japan. The exhibit features 42 quilts from the "Innovative Traditional" category, which will later be exhibited at the Tokyo Metropolitan Museum of Art."

Please enjoy the fourth quilt from the exhibition by Etuko Hino.

Title of Quilt: Card Magic

Quilter's Name: Etuko Hino

Dimensions: 90" x 90"

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Wendy Grande's quilt, Americana Baltimore, is a wonderful work of art. Click here to see the full quilt. Here are some more of the blocks with Wendy's explanation of their construction. There are some great ideas in her techniques... (I have more to show. We will have several more blocks on Monday, including the woven basket and French ribbon.)

The ship is a tribute to my husband's father, Captain Henry A. Grande, US Merchant Marines, USN Retired.  I used a dark blue pigma pen to draw the logo on a piece of fabric to create the United States Line Flag on the first Mast.  The flag for the Santa Cruz Yacht Harbor on the aft mast was pieced and embroidered.  The American Flag is also made from red and white stripped ribbon pieced together.  The ship sails were shaded with oil pastels to give them depth with the rigging inked and embroidered.  The masts, yards and bowsprit were all cut from ultrasuede and appliqued in place.  The waves for the ship are fussy cut from one piece of fabric and appliqued.  The Roses and leaves are all made with shaded wired ribbon, while the purple flowers were stitched directly on to the background fabric with 7mm silk ribbon. (ribbon embroidery). 

I learned a great technique from Elly Sienkiewicz for the ship’s sails and flags.  I cut a piece of muslin the exact size I wanted for each piece to use as a template.  I cut windows the exact size out of contact paper with a 2” frame.  The window was used to keep the shading in place and allow a better build up of the oil pastel on the top and bottom of the sail.  When the sails were ready to be appliqued (from the lower and back sails up) , the muslin template was placed behind the sail along with a thin piece of batting cut slightly smaller.  The raw edges were needle turned under the muslin and batting.  A thin layer of batting was also used under the rose leaves.

When I look at needle turn applique quilts I made 20 years ago, the turned edge, or seam allowance, causes an edge to be visible inside the leaf.  Using the thin batting or another piece of fabric under the applique, adds dimension to the sails or leaves, but the big benefit is in the years to come the seam allowance will not show through.  I can also make subtle changes in color by using lighter or darker shades of fabric underneath.

 

 

Grande Design - Strawberry Wreath

We were recently in Japan and found Strawberries grown locally, Watsonville, California!  Lush fields of berries are all around us and made their way onto a block.  I used a variety of red and pick ribbons for the berries as I love using the shading.  The stems are couched ultrasuede and the berries attach to the stem with 4mm silk ribbon leaf stitches,  The leaves are needle turn applique made from ribbon and batiks on a wreath of hand dyed bias cut ribbon

 

Pattern by Elly Sienkiewicz– Family Tree

When I can, I include my family in the decision making on the blocks.  The girls decided I needed to weave the nest – not use a piece of fabric.  We found an old piece of linen thread that soon found its way onto the block as the nest and a fluff in the birds beak as well.

The tree was cut from a single piece of batik fabric with a few fabric leaves added.  The little flowers were stitched directly on the background fabric using 4mm silk thread and an embroidery over stitch.  The Blue Birds are pieced wired ribbon and then needle turned appliqued.  The ombre wired ribbon is fabulous for birds as the shading is perfect to differentiate their bellies and backs!

 

Grande Design – basket of Pansies, Ferns and Lily of the Valley in a split stitch basket.

Using the Lily of the Valley as a “filler” I used the shape of their leaves in the background.  Each leaf is 2 pieces stitched together down the center line, made with batiks and hand-dyed fabrics.  They gave me a form to work with and then I filled in with stitched fern leaves made with 7mm silk ribbon.

I drew the basket and used the drawing on a light box to trace stitching lines.  The basket was stitched directly to the background fabric with a variegated hand dyed 7mm silk ribbon using a split stitch.

Now I can fill the basket with flowers!  I stared with the ultra suede stems for the Lily of the Valley and added the flowers with 2 stitches of 4mm silk ribbon.  I love pansies!  When they are made with vintage wired silk ribbons, they come to life on my quilts.  I started with the buds on ultrasuedestems, overlap the full flowers and show a side view to keep the arrangement interesting and “real”.  The centers are 2 stitches of 7mm hand dyed silk ribbon

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Astronomer's Daughter by Brigit Dermott was inspired by the "beauty of planetary rings and the bold optimism of NASA's graphics". Subtle moons and stars ringed with quilting designs highlight the 1960's space age design.

Astronomer's Daughter won 2nd Place Modern Traditionalism at QuiltCon 2019.

 

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Bubblicious was Claudia's first printed pattern. It was originally developed for Island Batiks and features fabulous bright colors and reminds you of Claudia's Bubblicious personality. You can watch that personality at play in Show 2413.

49 1/2" x 63"

Original Photo: Mary Kay Davis