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Here at TQS, we drooled with envy over 2010 TQS Legend Yvonne Porcella's special box filled with antique textiles that--over the years--have served as inspiration for her quilts. Why not begin your own collection by visiting The Textile Society's upcoming Antique Textile Fair, to be held March 6, 2011, in the Armitage Centre in Falllowfield, Manchester (UK)? You won't want to miss this wonderful opportunity to find the perfect textile...the one that touches your heart and sings to your creative spirit! Learn more about the Textile Fair here.

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For six days, beginning March 25, 2011, the American Folk Art Museum in NYC will dramatically transform the Park Avenue Armory’s historic, 55,000-square-foot Wade Thompson Drill Hall with the installation of more than 650 red and white American quilts, all of which are on loan from one private New York City collection. This will be the largest exhibition of quilts ever held in the city. As an extra-ordinary gift to the public, entry to this unprecedented event is FREE.

With quilts displayed in seven pavillions, this red-and-white spectacle is sure to inspire admiration and awe.  Along with the beautiful quilts, the event will include a special program on Saturday, March 26, moderated by Meg Cox and entitled "A Conversation with Paula Nadelstern and Alex Anderson." Paula (Episode 508) and Alex (Episode 408) will discuss where quilting has been and where it is going.  A reception and book signing will follow the discussion. 

If you are anywhere near the New York metro area, you won't want to miss this once-in-a-lifetime event! TQS will bring you more information on this outstanding exhibit soon. 

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Courtesy of The Foundling Museum

Threads of Feeling, a poignant exhibit currently at the Foundling Museum in London, showcases fabrics never shown before to illustrate the moment of parting as mothers left their babies at the original Foundling Hospital. (The hospital continues today as the children’s charity, Coram.) The museum exhibit runs through March 6, 2011.

In the cases of more than 4,000 babies left between 1741 and 1760, a small object or token, usually a piece of fabric, was kept as an identifying record. The fabric was provided either by the mother or cut from the child’s clothing by the hospital's nurses.  Attached to registration forms and bound up into ledgers, these pieces of fabric form the largest collection of everyday textiles surviving in Britain from the 18th century.

A selection of the textiles and the stories they tell us about individual babies, their mothers, and their lives forms the focus of the "Threads of Feeling" exhibition. The exhibition also examines artist William Hogarth’s depictions of the clothes, ribbons, embroidery, and fabrics worn in the 18th century as represented by the textile tokens.

John Styles, Research Professor in History at the University of Hertfordshire, received funding from the Arts and Humanities Research Council to curate the exhibition. Styles comments: “The process of giving over a baby to the hospital was anonymous. It was a form of adoption, whereby the hospital became the infant’s parent and its previous identity was effaced. The mother’s name was not recorded, but many left personal notes or letters exhorting the hospital to care for their child. Occasionally children were reclaimed. The pieces of fabric in the ledgers were kept, with the expectation that they could be used to identify the child if it was returned to its mother. 

"The textiles are both beautiful and poignant, embedded in a rich social history. Each swatch reflects the life of a single infant child. But the textiles also tell us about the clothes their mothers wore, because baby clothes were usually made up from worn-out adult clothing. The fabrics reveal how working women struggled to be fashionable in the 18th century.” For more information on this exhibit, click here.

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Sausalito, a new line of fabrics from P&B Textiles, adds a touch of subtle but sophisticated color to this quick-and-easy table runner, adapted from a quilt seen in the book Colliery Days. You can stitch this scaled-down and updated version of the classic stone-floor-quilt pattern in a single afternoon. The finished table runner measures 24" x 12". Center blocks are cut at 3 1/2" x 4 1/4", and the end blocks at 3 1/2" x 2 1/2". See the original stone-floor-inspired quilt, and to learn about a Colliery Village.  See the entire P& B Sausalito line of fabrics here.

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I've moved around the country quite a lot, but the main passions that have remained constant in my life have been sewing and community service. Over a year ago, I began volunteering for Soldier’s Angels, an organization that sponsors a variety of projects to support American soldiers, and through which I write letters to deployed troops.

A quilter since second grade, I previously had put my sewing efforts toward making quilts for friends, family, and myself. As I approached my senior year in high school, and the college applications that go along with it, I realized that combining my passions would be both fulfilling and a strong sign of success. With that in mind, I began to sew quilts for Soldier’s Angels to give to wounded soldiers. Then my parents suggested the idea of making pillowcases for soldiers, as pillowcases could be completed in larger quantities than blankets and thus could touch more lives. Soldier’s Angels eagerly supported the idea, suggesting that the pillowcases be sent to combat hospitals in Afghanistan, which tend to be simple, drab structures. A happy mind can do wonders for physical healing, and a fun pillowcase could be a great brightener in a soldier’s day.

This project officially began with the new year, so it is still in its infancy. I’m very excited to get the ball rolling and make this a highly successful endeavor, but I need the help of others! I am asking all of my fellow TQS members to sew for the cause! Compared to making quilts, a pillowcase is a quick project. It is simple enough for even the newest sewers. Above all, it is personally rewarding to do good for others, and it feels as wonderful to give as it does to receive.

If you are interested in helping out, please read the guidelines that Soldier’s Angels has determined for the pillowcases here. Note that the pillowcase dimensions given are approximate, and any pattern for a standard-sized pillowcase will do. This is a great chance to use those fun, bold fabrics that never seemed to work in a quilt: the pillowcases I've made include prints featuring pizza, candy of all sorts, superheroes, and much more. If you need a pattern, feel free to contact me here. Learn more about Soldier’s Angels here.

I’m so excited to see this project grow and touch the lives of many wonderful soldiers who have sacrificed so much to help others. I'm working very hard to reach as many soldiers as possible. I even sewed over fifty pillowcases this winter break! But I can't do this alone, and I need the help of the TQS community to reach more soldiers. Please help sew, and please help spread the word about Patriot Pillowcases! Whether it's a one-time project or something you do more frequently, I would love your help, and I know the soldiers would love your contribution, too!

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Linda V. Taylor assists Alex with some long arm quilting.  Photo by Gregory Case Photography

Sometimes life gets in the way and you simply don't have time to quilt every quilt you've made yourself. When sending out a quilt to be finished by a professional, here are a few general guidelines to keep in mind:

  1. Clip all thread 'hairs' from the quilt top.This keeps the longarm needle from getting hooked in the strays.
  2. Clip threads from the seams on the back of the quilt so that the "tails" don't shadow through to the top of the quilt. This is especially important when you've used both light and dark fabrics in the quilt.
  3. While Fido and Mittens may eventually enjoy lounging on your quilt, it's a good idea to remove pet hair from your quilt top, batting, and backing...unless you are OK with pet hairs being stitched permanently into the quilt. (This is also a courtesy to the quilter, who may have allergies.)
  4. Carefully square up the top and backing; press and gently fold them. If you present the quilter with a balled-up top and backing, you may end up paying extra for her time to iron them.
  5. Prepare your batting by taking it out of the package and letting it breathe and/or follow the manufacturer's directions to wash and dry it as you would your quilt. (Washing and drying will make the batting shrink slightly.) 
  6. Keep in mind that if your quilt isn't flat and "square" when you hand it off it to the quilter, she may be able to make it better, but there is no guarantee that she can eliminate the "waves" completely.  
  7. Be sure to communicate your wishes clearly (e.g., dense quilting, preferred design, all-over stippling, thread color, etc.). If you say "do what you think is best," you may be disappointed with the end results.
  8. Plan ahead by getting your name on the quilter's schedule. Popular quilt professionals often have waiting lists of two to three months. Just because you want the quilt finished for a specific event (e.g., birthday, holiday, graduation, etc.) doesn't mean that you'll automatically jump to the top of the list. 
  9. Finally, make certain that you understand all the costs involved BEFORE you agree to having your quilt finished. Each quilt professional has her own pricing scale. Your cost may include or be based on a variety of elements, such as the size of the quilt, the type and/or amount of thread used, the number of bobbins used, pressing, and so on.

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In this class you'll learn how to do tessellating hearts in the border. You'll also learn to use the Workstation Heart Template to quilt hearts into the center of the quilt.  Click here to join the class.

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Check out this book of applique blocks for every State in the USA by Debra Gabel.  

When you click over you even get a look inside the book.      

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Join Linda V. Taylor as she shows you how to easily secure your top, batting and backing together.  Keeping things secure helps to avoid those bumps, bubbles and wrinkles during the decorative quilting phase.  Click here to join the class.

 

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Bernina has excellent Webinars for keeping us up to date.  Seating is limited so sign up early.  This is just a picture so

click here for 10am CST

click here for 6pm CST

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